{"title":"Jacques-Louis David","description":"\u003cp style=\"text-align: left;\"\u003e1748* 1825† | was a painter of conviction. His art is clear, austere, and imbued with moral determination. Where Rococo celebrated lightness, David introduced order, discipline, and gravitas. He didn't want to please – he wanted to shape. David understood painting as a political and ethical instrument. Lines are sharp, compositions closed, gestures unambiguous. His figures act, they do not doubt. Antique models provide the form, contemporary ideals the content. Virtue, self-sacrifice, and duty are central. As an artist of the French Revolution, David was not an observer, but an actor. His paintings became images of a new order. Art and politics were inseparable for him. This closeness to power made him both influential and vulnerable. As times changed, so did his role. Despite all their austerity, his works possess enormous emotional power. It is precisely the reduction that enhances the effect. Nothing distracts, everything aims at the core. David controls the image – and forces the eye to concentrate. Jacques-Louis David shows that clarity is an attitude. That art can take a stand. And that form is not neutral, but an expression of conviction.\u003c\/p\u003e","products":[{"product_id":"la-mort-de-marat","title":"The Death of Marat","description":"The room is quiet – almost empty.\n\n The body of Jean-Paul Marat lies in a simple bathtub. His head tilts slightly to the side, his eyes are closed, his arm hangs heavily at his sides. In his hand he still holds a piece of paper with a message written on it. Beside him lies the knife with which he was murdered moments before.\n\n The scene appears surprisingly calm. No dramatic movement, no chaos, no fighting. The moment depicts not the attack itself, but the silence that follows.\n \nMarat's body is surrounded by a white cloth. The water of the bathtub remains invisible, but his posture shows that he sat in the bath while working – a consequence of his severe skin condition, which forced him to spend long periods in the water.\n\n The background is completely dark. No space, no architecture. This emptiness focuses the gaze entirely on the body and the few objects: the knife, the pen, the paper.\n\n Marat uses a simple wooden box as a writing desk. On it is a dedication from David:\n “À Marat, David” – a silent homage from the artist.\n\n The light falls softly on the body. The skin appears smooth, almost idealized. Despite his violent death, Marat seems peaceful – almost like a religious figure.\n\n The longer one looks, the more the composition resembles depictions of the dead Christ. David transforms a political event into an almost sacred scene.","brand":"FÉRUD","offers":[{"title":"10 x 12.9 cm \/ mini","offer_id":56854212575609,"sku":"599217-32072728-100000-129000","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/c6bd1e30-0dd3-4633-babd-ece8a11aa16d.png?v=1774290494"},{"product_id":"la-mort-de-marat-1","title":"The Death of Marat","description":"The room is still – almost empty. In a simple bathtub lies the body of Jean-Paul Marat. His head is gently tilted to the side, eyes closed, his arm hanging heavily. In his hand, he still holds a piece of paper with a message written on it. Beside him lies the knife with which he was murdered shortly before. The scene appears surprisingly calm. No dramatic movement, no chaos, no struggle. The moment does not show the attack itself, but the stillness afterward. Marat's body is draped in a white cloth. The water in the bathtub remains invisible, but his posture shows that he was sitting in the bath while working – a consequence of his severe skin condition, which forced him to spend long periods in the water. The background is completely dark. No room, no architecture. This emptiness draws the gaze entirely to the body and the few objects: the knife, the quill, the paper. A simple wooden crate serves as Marat's writing desk. On it is David's dedication: \"À Marat, David\" – a silent homage from the artist. The light falls softly on the body. The skin appears smooth, almost idealized. Despite his violent death, Marat seems peaceful – almost like a religious figure. The longer one looks, the more the composition recalls depictions of the dead Christ. David transforms a political event into an almost sacred scene.","brand":"FÉRUD","offers":[{"title":"20 x 25.7 cm \/ mini slim black","offer_id":56865735082361,"sku":"602363-32072728-200000-257000","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/74d538d9-c94a-46cc-9984-aaadea3883e3.png?v=1774290532"},{"product_id":"la-mort-de-marat-2","title":"The Death of Marat","description":"\u003cp\u003eThe room is still – almost empty. In a simple bathtub lies the body of Jean-Paul Marat. His head is slightly tilted to the side, eyes closed, arm hanging heavily. In his hand, he still holds a piece of paper with a message written on it. Beside him lies the knife with which he was murdered shortly before. The scene appears surprisingly calm. No dramatic movement, no chaos, no struggle. The moment shows not the attack itself, but the stillness afterward. Marat's body is covered by a white sheet. The water in the bathtub remains invisible, but his posture shows that he was sitting in the bath while working – a consequence of his severe skin disease, which forced him to spend long periods in the water. The background is completely dark. No room, no architecture. This emptiness directs the gaze entirely to the body and the few objects: the knife, the quill, the paper. A simple wooden box serves Marat as a writing desk. On it is an inscription by David: \"À Marat, David\" – a silent tribute from the artist. The light falls softly on the body. The skin appears smooth, almost idealized. Despite his violent death, Marat seems peaceful – almost like a religious figure. The longer one looks, the more the composition recalls depictions of the dead Christ. David transforms a political event into an almost sacred scene.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"Fine Art · Serenity \/ 60 x 77.2 cm","offer_id":56876271042937,"sku":"598391-32072728-600000-772000","price":799.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Serenity \/ 80 x 102.9 cm","offer_id":56876271075705,"sku":"598391-32072728-800000-1029000","price":1499.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Serenity \/ 100 x 128.7 cm","offer_id":56876271108473,"sku":"598391-32072728-1000000-1287000","price":1999.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 60 x 77.2 cm","offer_id":56876271141241,"sku":"596464-32072728-600000-772000","price":1099.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 80 x 102.9 cm","offer_id":56876271174009,"sku":"596464-32072728-800000-1029000","price":1899.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 100 x 128.7 cm","offer_id":56876271206777,"sku":"596464-32072728-1000000-1287000","price":2699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/6d0f8476-9a87-49d5-93ff-8345d029d333.png?v=1774290583"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/collections\/Michelangelo_Buonarroti_32741fa5-b758-4eb2-be04-841acfc39a30.jpg?v=1768425890","url":"https:\/\/ferud.de\/en\/collections\/david.oembed","provider":"FÉRUD","version":"1.0","type":"link"}