{"title":"Renaissance \u0026 Mannerism","description":"","products":[{"product_id":"die-geburt-der-venus","title":"The birth of Venus","description":"\u003cp data-start=\"3433\" data-end=\"3517\"\u003eVenus' body is immediately present – and at the same time strangely unrealistic. The pose appears elegant, but physically barely sustainable. Her weight does not seem to rest on the shell, but rather on the idea it carries. The proportions are elongated, the movement reduced. Her hair plays a crucial role. It does not simply fall down, but structures the body, directs the gaze, simultaneously concealing and emphasizing. It is less hair than a compositional element. Venus' gesture is also remarkable. She attempts to cover herself – yet this very movement draws attention to the body. It is a controlled form of \"uncoveredness.\" On the left of the image, Zephyr, the god of wind, blows. But his movement appears less physical than decorative. The wind is visible, but not palpable. The figures seem to be part of a predetermined sequence. On the right, another figure waits with a robe – a moment often interpreted as a transition. But this transition never truly occurs. Venus remains in a state of arrival. The sea is strikingly calm. No real waves, no movement that could disturb the moment. Everything is designed for balance – a balance that does not arise from nature, but from an idea of order.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"16 x 10 cm \/ mini","offer_id":56851970261369,"sku":"599217-32072645-160000-100000","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/604779f7-1e9b-45f5-a1cc-9b867c9e92b5.png?v=1774292466"},{"product_id":"de-tuin-der-lusten","title":"The Garden of Earthly Delights","description":"The Garden of Earthly Delights is not a picture one contemplates—it is a picture one enters. As a triptych, it unfolds in three states that follow less a linear narrative than a moral condensation. Everything is present simultaneously: promise, excess, consequence.\n\n To the left, paradise unfolds. Adam, Eve, and God appear in a strangely still, almost fragile order. The landscape is alien, organic, teeming with bizarre plants and animals. Nothing seems stable. Even the origin itself carries within it unrest. The light is clear, yet not comforting. There is no secure beginning.\n \nThe central panel explodes into motion. Naked bodies fill the space in groups, pairs, and circles. They touch, carry, glide, eat, and play. Giant fruits, birds, transparent spheres, and fantastical architectural fragments define the scene. Desire is not portrayed individually here, but as a collective state. Everything is close, everything is possible, everything is of equal value. There is no hierarchy, no center, no point of reference.\n\n The colors are bright, almost seductive. Pink, blue, green, fleshy tones. But the longer you look, the less innocent this world seems. Gestures are repeated compulsively, rooms are overcrowded, intimacy tips into excess. Desire has lost its direction.\n \nFinally, on the right: Hell. Dark, cold, mechanical. Bodies are tortured, distorted, instrumentalized. Musical instruments become tools of torture, everyday objects become devices of punishment. Light here is not illuminating, but revealing. Everything that previously seemed playful now appears as a cause. Bosch is not painting an apocalypse—he is painting consequence.\n\n The gaze wanders restlessly, finding no point of rest. The Garden of Earthly Delights defies overview. It is deliberately overwhelming. Every figure, every detail seems to carry meaning – and yet simultaneously eludes any single, definitive interpretation.","brand":"FÉRUD","offers":[{"title":"17.6 x 10 cm \/ mini","offer_id":56851980943737,"sku":"599217-32072673-176000-100000","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/fb2e53c1-6ada-4a7a-a7ef-7a412c1ad948.png?v=1774292566"},{"product_id":"portrait-van-giovanni-arnolfini-en-zijn-vrouw","title":"Portrait of Giovanni Arnolfini in two women","description":"The Arnolfini portrait is an image of condensation. At first glance, it depicts a couple in a bourgeois interior: a man and a woman stand facing each other, their hands lightly touching, in a room furnished as simply as it is meticulously. But as soon as one begins to read, it becomes clear that nothing here is simply what it seems.\n \nThe man stands on the left, dressed in dark, heavy clothing, his gaze steady, his posture upright. He raises his right hand, not in greeting, but as a sign of affirmation. The woman stands on the right, in a voluminous green dress, its fabric gathered in rich folds. Her posture is composed, her gaze lowered. One hand rests on her stomach—a gesture long interpreted as an indication of pregnancy, but today seen more as an expression of contemporary poise and voluminous clothing. Intimacy arises not from movement, but from formal balance.\n\n The room is small, enclosed, almost hermetic. A bed dominates the background, a chandelier hangs from the ceiling, a single candle burns. A small dog lies on the floor—watchful, present, silent. Oranges lie on the windowsill, precious, exotic. Shoes are carelessly discarded. Every object seems deliberately chosen, each carries meaning.\n \nA convex mirror hangs in the center of the back wall. It reflects not only the room, but also the couple from behind – and two other figures entering the room. One of them is presumably the painter himself. Above the mirror is the inscription: Johannes de Eyck fuit hic – Jan van Eyck was here. The painting testifies to itself. It is both representation and document.\n\n The light streams coolly and evenly through the window. It shapes fabrics, wood, skin, metal – with a precision that seems almost surreal. Nothing blurs. Everything is present. The space seems tangible, yet it is symbolically charged. Reality and meaning exist here with equal sharpness.","brand":"FÉRUD","offers":[{"title":"10 x 13.7 cm \/ mini","offer_id":56852030030201,"sku":"599217-32072683-100000-137000","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/3fa37c64-950a-43a8-ba3e-229c7ab3f3ec.png?v=1774292694"},{"product_id":"vista-de-toledo","title":"Vista de Toledo","description":"The view of Toledo is not a landscape in the classical sense – it is a state of being. The city lies elevated, almost detached, on a hill, its buildings angular, restless, and displaced from one another. Toledo appears not as a place, but as a phenomenon. The ground rises steeply, the architecture seems to have grown out of the earth and yet simultaneously detached from it.\n\n The sky dominates. Dark, swirling clouds drift across the city, charged, dramatic, almost physical. Light breaks through irregularly, illuminating some areas while casting others into shadow. There is no calming atmosphere, no gentle transition. The sky is tension – not weather.\n \nThe landscape in the foreground is green, lush, but not peaceful. Hills and paths appear shifting, as if under internal pressure. Forms are elongated, stretched, unstable. Perspective obeys not geometry, but sensation. Everything seems in motion, even where nothing is happening.\n\n El Greco eschews detail in favor of expression. Buildings become symbols, surfaces emotions. Color is not descriptive, but a vehicle for meaning. The green of the landscape is intense, almost unreal; the blue and gray of the sky seem electric. The city stands between heaven and earth—tense, exposed, alone.\n\n The viewer's gaze is not detached. One doesn't look at Toledo; one is drawn into its atmosphere. The city seems to be observed—and simultaneously observing itself. It is an image full of inner turmoil, without depicting a single human drama.","brand":"FÉRUD","offers":[{"title":"10 x 11.2 cm \/ mini","offer_id":56852128530809,"sku":"599217-32072686-100000-112000","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/a26b3b24-2646-4714-8b66-20c4c5dbbfff.png?v=1774290027"},{"product_id":"la-nascita-di-venere","title":"The birth of Venus","description":"\u003cp data-end=\"3517\" data-start=\"3433\"\u003eVenus’s body is immediately present—and yet strangely unrealistic. Her posture appears elegant, but physically unsustainable. Her weight doesn't seem to rest on the shell, but rather on the idea it carries. Her proportions are elongated, her movement restrained. Her hair plays a crucial role in this. It doesn't simply fall down, but structures the body, guides the gaze, simultaneously concealing and emphasizing. It is less hair than a compositional element. Venus’s gesture is also remarkable. She attempts to cover herself—yet this very movement draws attention to her body. It is a controlled form of \"uncoveredness.\" On the left, Zephyr, the god of wind, blows. But his movement seems less physical than decorative. The wind is visible, but not palpable. The figures appear as part of a predetermined sequence. On the right, another figure waits with a cloak—a moment often interpreted as a transition. Yet this transition never truly occurs. Venus remains in a state of arrival. The sea is strikingly calm. No real waves, no movement that could disturb the moment. Everything is designed for balance—a balance that arises not from nature, but from an idea of order.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"31.9 x 20 cm \/ mini slim black","offer_id":56861258318201,"sku":"602363-32072645-319000-200000","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/cef1ba6f-3ed4-42eb-acf3-e47558b3f5ff.png?v=1774292494"},{"product_id":"de-tuin-der-lusten-1","title":"The Garden of Earthly Delights","description":"The Garden of Earthly Delights is not a picture one contemplates—it is a picture one enters. As a triptych, it unfolds in three states that follow less a linear narrative than a moral condensation. Everything is simultaneously present: promise, excess, consequence. On the left, paradise opens up. Adam, Eve, and God appear in a strangely still, almost fragile order. The landscape is alien, organic, interwoven with bizarre plants and animals. Nothing seems stable. Even the origin already carries within it unrest. The light is clear, yet not calming. There is no secure beginning. The central panel explodes in movement. Naked bodies fill the space, in groups, pairs, circles. They touch, carry, glide, eat, play. Giant fruits, birds, transparent spheres, and fantastical architectural fragments define the scene. Pleasure is not narrated individually here, but as a collective state. Everything is close, everything is possible, everything is of equal value. There is no hierarchy, no center, no point of support. The colors are bright, almost seductive. Pink, blue, green, fleshy tones. But the longer you look, the less innocent this world seems. Gestures are repeated compulsively, spaces are overcrowded, intimacy tips into excess. Desire has lost its direction. Finally, on the right: hell. Dark, cold, mechanical. Bodies are tortured, distorted, instrumentalized. Musical instruments become tools of torture, everyday objects become devices of punishment. Light here is not illuminating, but revealing. Everything that previously seemed playful now appears as the cause. Bosch is not painting an apocalypse—he is painting consequence. The gaze wanders restlessly, finding no point of rest. The Garden of Earthly Delights refuses to provide an overview. It is deliberately overwhelming. Every figure, every detail seems to carry meaning—and at the same time defies any single, definitive interpretation.","brand":"FÉRUD","offers":[{"title":"35.1 x 20 cm \/ Mini slim black","offer_id":56865561117049,"sku":"602363-32072673-351000-200000","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/fb61459a-f91c-41d7-8017-20ef66f95531.png?v=1774292600"},{"product_id":"portrait-van-giovanni-arnolfini-en-zijn-vrouw-1","title":"Portrait of Giovanni Arnolfini in two women","description":"The Arnolfini portrait is an image of condensation. At first glance, it depicts a couple in a bourgeois interior: a man and a woman stand facing each other, their hands lightly touching, in a room furnished with both austerity and meticulous care. But as soon as one begins to read the text, it becomes clear that nothing here is simply what it seems. The man stands on the left, dressed in dark, heavy clothing, his gaze steady, his posture upright. He raises his right hand, not as a gesture of greeting, but as a sign of affirmation. The woman stands on the right, in a voluminous green dress, its fabric gathered in rich folds. Her posture is composed, her gaze lowered. One hand rests on her stomach—a gesture long interpreted as an indication of pregnancy, but now seen more as an expression of contemporary poise and voluminousness. Intimacy arises not from movement, but from formal balance. The room is small, enclosed, almost hermetic. A bed dominates the background, a chandelier hangs from the ceiling, and a single candle burns. A small dog lies on the floor—watchful, present, silent. Oranges lie on the windowsill, precious, exotic. Shoes are carelessly discarded. Every object seems deliberately chosen, each carries meaning. A convex mirror hangs in the center of the back wall. It reflects not only the room but also the couple from behind—and two other figures entering the room. One of them is presumably the painter himself. Above the mirror is the inscription: Johannes de Eyck fuit hic—Jan van Eyck was here. The painting bears witness to itself. It is both representation and document. The light falls coolly and evenly through the window. It models fabrics, wood, skin, metal—with a precision that seems almost surreal. Nothing blurs. Everything is present. The room seems tangible, and yet it is symbolically charged. Reality and meaning exist here with equal sharpness.","brand":"FÉRUD","offers":[{"title":"20 x 27.4 cm \/ mini slim black","offer_id":56865590477177,"sku":"602363-32072683-200000-274000","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/04162dee-7fd8-4dcb-828a-5baaa4e77685.png?v=1774292723"},{"product_id":"vista-de-toledo-1","title":"Vista de Toledo","description":"\u003cp data-start=\"2102\" data-end=\"2148\"\u003eNothing in this painting seems truly stable. The city itself is recognizable, but it doesn't sit firmly in space. Buildings tilt slightly, proportions appear stretched, paths disappear. It's as if El Greco deliberately avoids clear anchoring. Particularly striking is the way the sky is treated. The clouds are not just background, but active. They press down on the city, open up, shift areas of light. The sky is not a space above the landscape, but part of its movement. The light itself is unevenly distributed. There is no clear source, but rather individual highlights that emphasize certain areas and leave others in darkness. This creates an almost theatrical effect – as if the landscape itself is being staged. The green of the hills is unusually intense. It doesn't appear naturally grown, but almost applied. A green that doesn't soothe, but creates tension. The placement of the city is also interesting. It is neither clearly in the foreground nor completely in the background. It acts like a node between different levels. El Greco does not depict a landscape in the classical sense here. He shows how a landscape can feel when it is no longer just seen, but experienced.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"20 x 22.4 cm \/ mini slim black","offer_id":56865599357305,"sku":"602363-32072686-200000-224000","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/d37510ad-6ba6-400d-b2cc-9c847cc78066.png?v=1774290057"},{"product_id":"la-nascita-di-venere-1","title":"The Birth of Venus","description":"\u003cp data-end=\"3517\" data-start=\"3433\"\u003eVenus’s body is immediately present—and at the same time strangely unrealistic. Her pose appears elegant, but physically barely sustainable. Her weight does not seem to rest on the shell, but rather on the idea it carries. The proportions are stretched, the movement reduced. Her hair plays a crucial role in this. It doesn't simply fall down but structures the body, directs the gaze, simultaneously concealing and emphasizing. It is less hair than a compositional element. Venus's gesture is also remarkable. She tries to cover herself—yet precisely this movement draws attention to the body. It is a controlled form of \"uncoveredness.\" On the left, Zephyr, the god of wind, blows. But his movement appears less physical than decorative. The wind is visible, but not palpable. The figures appear as part of a predetermined sequence. On the right, another figure waits with a robe—a moment often read as a transition. But this transition never truly occurs. Venus remains in a state of arrival. The sea is strikingly calm. No real waves, no movement that could disturb the moment. Everything is designed for balance—a balance that does not arise from nature, but from an idea of order.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"Fine Art · Calm \/ 95.8 x 60 cm","offer_id":56870009536889,"sku":"598391-32072645-958000-600000","price":899.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Calm \/ 127.8 x 80 cm","offer_id":56870009569657,"sku":"598391-32072645-1278000-800000","price":1499.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Calm \/ 159.7 x 100 cm","offer_id":56870009602425,"sku":"598391-32072645-1597000-1000000","price":2099.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 95.8 x 60 cm","offer_id":56870009635193,"sku":"596464-32072645-958000-600000","price":1199.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 127.8 x 80 cm","offer_id":56870009667961,"sku":"596464-32072645-1278000-800000","price":1899.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 159.7 x 100 cm","offer_id":56870009700729,"sku":"596464-32072645-1597000-1000000","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/2d0914b4-d45d-46b1-b3d2-9ad347945e99.png?v=1774292519"},{"product_id":"de-tuin-der-lusten-2","title":"The Garden of Earthly Delights","description":"\u003cp\u003eThe Garden of Earthly Delights is not a picture one merely looks at – it is a picture one enters. As a triptych, it unfolds in three states, which follow less a linear narrative than a moral condensation. Everything is simultaneously present: promise, excess, consequence. To the left, paradise opens up. Adam, Eve, and God appear in a strangely quiet, almost fragile order. The landscape is alien, organic, permeated by bizarre plants and animals. Nothing seems stable. Even the origin already carries unease within itself. The light is clear, yet not reassuring. There is no safe beginning. The central panel explodes in movement. Naked bodies fill the space, in groups, pairs, circles. They touch, carry, slide, eat, play. Huge fruits, birds, transparent spheres, and fantastic architectural fragments define the scene. Here, pleasure is not told individually, but as a collective state. Everything is close, everything is possible, everything is equal. There is no hierarchy, no center, no stability. The coloring is bright, almost seductive. Pink, blue, green, fleshy tones. But the longer one looks, the less innocent this world appears. Gestures repeat obsessively, spaces are overcrowded, closeness tips into excess. Pleasure no longer has a direction. To the right, finally: hell. Dark, cold, mechanical. Bodies are tortured, distorted, instrumentalized. Musical instruments become torture devices, everyday objects become instruments of punishment. Light here is not illuminating, but revealing. Everything that previously seemed playful now appears as a cause. Bosch does not paint an apocalypse – he paints consequence. The gaze wanders restlessly, finding no point of rest. The Garden of Earthly Delights denies an overview. It is deliberately overwhelming. Every figure, every detail seems to carry meaning – and at the same time eludes a clear interpretation.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"Fine Art · Tranquility \/ 105.4 x 60 cm","offer_id":56870019662201,"sku":"598391-32072673-1054000-600000","price":899.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 140.5 x 80 cm","offer_id":56870019694969,"sku":"598391-32072673-1405000-800000","price":1499.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 175.7 x 100 cm","offer_id":56870019727737,"sku":"598391-32072673-1757000-1000000","price":2099.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 105.4 x 60 cm","offer_id":56870019760505,"sku":"596464-32072673-1054000-600000","price":1199.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 140.5 x 80 cm","offer_id":56870019793273,"sku":"596464-32072673-1405000-800000","price":1899.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 175.7 x 100 cm","offer_id":56870019826041,"sku":"596464-32072673-1757000-1000000","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/0694a59b-3069-4a6b-b410-872fa5bcee03.png?v=1774292630"},{"product_id":"arnolfini","title":"The Arnolfini Portrait","description":"\u003cp data-end=\"465\" data-start=\"297\"\u003eAt first glance, everything appears orderly. Two figures, a room, clear lines. But the longer one looks, the more this balance begins to shift. The actual focal point is not at the front, but at the back: in the convex mirror. It is small, but precisely elaborated and shows more than the eye initially perceives. Not only the backs of the two figures, but also two other people standing in the room. One of them is often interpreted as the painter himself. Van Eyck thus indirectly inserts himself into the picture – not frontally, but through reflection. One could say: an early moment of self-positioning in the pictorial space. Almost like a deliberately placed \"I was here.\" The surrounding details are also anything but decorative. The small dog in the foreground traditionally stands for loyalty, but in this context, it almost acts as a marker – a symbol that asserts a meaning without confirming it. The shoes in the room are removed, which in religious depictions often indicates \"holy ground.\" At the same time, this is a private interior. The bed in the background, unusually prominently placed, refers to intimacy and closeness – and at the same time appears like a piece of furniture being showcased. The man's hand gesture is conspicuously formal. It is more reminiscent of an act of affirmation than a spontaneous gesture. Even the touch between the two remains cautious, almost distant. And precisely therein lies the true tension of the painting: It shows closeness, possession, connection – but in a form that appears controlled, almost protocolled. A painting that asks less what is happening between these two people – but rather how such moments are represented and captured.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"Fine Art · Tranquility \/ 60 x 82.3 cm","offer_id":56871929119097,"sku":"598391-32072683-600000-823000","price":799.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 80 x 109.7 cm","offer_id":56871929151865,"sku":"598391-32072683-800000-1097000","price":1399.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 100 x 137.1 cm","offer_id":56871929184633,"sku":"598391-32072683-1000000-1371000","price":1999.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 60 x 82.3 cm","offer_id":56871929217401,"sku":"596464-32072683-600000-823000","price":1099.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 80 x 109.7 cm","offer_id":56871929250169,"sku":"596464-32072683-800000-1097000","price":1799.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 100 x 137.1 cm","offer_id":56871929282937,"sku":"596464-32072683-1000000-1371000","price":2699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/70dcb11a-f32b-4704-b896-afd62076b7a8.png?v=1774292744"},{"product_id":"vista-de-toledo-2","title":"View of Toledo","description":"\u003cp data-end=\"2148\" data-start=\"2102\"\u003eNothing in this picture seems truly stable. The city itself is recognizable, but it doesn't sit firmly in space. Buildings lean slightly, proportions appear stretched, paths disappear. It's as if El Greco deliberately refrains from clear anchoring. Particularly striking is the way the sky is treated. The clouds are not just background, but active. They press down on the city, open up, shift areas of light. The sky is not a space above the landscape, but part of its movement. The light itself is unevenly distributed. There is no clear source, but individual illuminations that emphasize certain parts and leave others in darkness. This creates an almost theatrical effect – as if the landscape itself is being staged. The green of the hills is unusually intense. It doesn't look naturally grown, but almost applied. A green that doesn't soothe, but creates tension. The placement of the city is also interesting. It is neither clearly in the foreground nor entirely in the background. It acts like a hub between different levels. El Greco is not showing a landscape in the classical sense here. He is showing how a landscape can feel when it is no longer just seen, but experienced.\u003c\/p\u003e","brand":"FÉRUD","offers":[{"title":"Signature · Dynamics \/ 60 x 67.2 cm","offer_id":56871946486137,"sku":"596464-32072686-600000-672000","price":1099.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 80 x 89.6 cm","offer_id":56871946518905,"sku":"596464-32072686-800000-896000","price":1899.0,"currency_code":"EUR","in_stock":true},{"title":"Signature · Dynamics \/ 100 x 112 cm","offer_id":56871946551673,"sku":"596464-32072686-1000000-1120000","price":2799.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 60 x 67.2 cm","offer_id":56923608940921,"sku":"598391-32072686-600000-672000","price":799.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 80 x 89.6 cm","offer_id":56923608973689,"sku":"598391-32072686-800000-896000","price":1499.0,"currency_code":"EUR","in_stock":true},{"title":"Fine Art · Tranquility \/ 100 x 112 cm","offer_id":56923609006457,"sku":"598391-32072686-1000000-1120000","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/cf8f014f-d568-4a6e-9a3b-cfea39531704.png?v=1774290122"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/collections\/ChatGPT_Image_26._Feb._2026_13_24_16.png?v=1772108678","url":"https:\/\/ferud.de\/en\/collections\/renaissance.oembed","provider":"FÉRUD","version":"1.0","type":"link"}