{"title":"Japanese color woodblock print | Ukiyo-e","description":"\u003cp data-end=\"4366\" data-start=\"4215\"\u003e Japanese woodblock printing is not a painting technique, but a printing technique.\u003cbr data-end=\"4294\" data-start=\"4291\"\u003e And yet, it is one of the most influential visual languages ​​in art history. Ukiyo-e is created using multiple carved wooden blocks—one for each color. The image is printed layer by layer. Lines, planes, and colors are clearly separated. Perspective is reduced, shadows often avoided. This technique results in a unique visual logic: flat, rhythmic, and concentrated. Motifs do not appear as spatial illusions, but rather as consciously composed surfaces. When Japanese prints reached Europe in the 19th century, they fundamentally changed Western perception. Artists like Hokusai influenced European painters as well—including Van Gogh, who studied this visual language and incorporated it into his oil paintings. Ukiyo-e demonstrates that reduction is not simplification, but rather another form of precision.\u003c\/p\u003e","products":[{"product_id":"神奈川沖浪裏-kanagawa-oki-nami-ura","title":"The Great Wave off Kanagawa","description":"A massive wave rises above the sea. Its shape resembles a claw made of water, its foamy crests dissolving into countless white points.\n\n Beneath this wave, small boats struggle against the movement of the water. The rowers are crammed tightly into the narrow boats, their bodies following the line of the waves.\n\n In the background, Mount Fuji appears – small, calm, and motionless. While the wave dramatically arches across the image, the mountain remains stable on the horizon.\n\n The sky is clear and open. The sea, however, is full of movement.\n\n The composition appears precisely organized. The large wave forms an arc that directs the gaze towards Mount Fuji. At the same time, it creates a tension between the force of nature and human presence.\n\n The colors are clear and contrasting: deep Prussian blue, bright white and warm beige and grey tones.\n\n The longer you look, the more the scene appears like a frozen moment just before impact.","brand":"FÉRUD","offers":[{"title":"14.8 x 10 cm \/ mini","offer_id":56856049779065,"sku":"599217-32072915-148000-100000","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8444\/5049\/files\/dd798650-15d2-40fe-9013-3320c8709a25.png?v=1774291832"},{"product_id":"神奈川沖浪裏-kanagawa-oki-nami-ura-1","title":"The Great Wave off Kanagawa","description":"A massive wave rises above the sea. Its shape resembles a claw of water, its whitecaps dissolving into countless white peaks. Beneath this wave, small boats struggle against the movement of the water. The oarsmen are tightly packed into the narrow boats, their bodies following the line of the waves. 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The sea, however, is full of movement. The composition appears precisely organized. The great wave forms an arch that directs the gaze towards Mount Fuji. At the same time, it creates a tension between the forces of nature and human presence. The colors are clear and contrasting: deep Prussian blue, bright white, and warm beige and gray tones. 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