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The Scream
Skrik
139 €
Edvard Munch
i
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Museumsqualität
Gefertigt in Deutschland
Gefertigt in Deutschland
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A solitary figure stands on a bridge, its body slightly bent forward. Its hands are pressed against its face, its mouth wide open – as if a scream were breaking the silence of the landscape.
The head appears skull-like, almost mask-like. The eyes and mouth form dark openings, while the face itself appears pale and smooth.
The figure stands in the foreground of the picture, isolated from its surroundings. Behind it, the bridge stretches diagonally into the distance. Two people continue walking there, seemingly unaffected by the moment.
But the real movement lies in the sky.
Broad lines of red, orange, and yellow stretch across the landscape, winding across the sky like waves of fire. Below lies the dark blue of the fjord.
Even the water, sky, and landscape seem to be in motion. The lines of nature follow the same rhythmic curves as the figure's body.
The bridge is the only stable structure in the image. Its straight lines stand in stark contrast to the flowing movements of the sky and landscape.
The colors are intense and emotional: glowing red, dark blue and cold green tones contrast with each other and increase the tension of the scene.
The longer you look, the stronger the impression becomes that the scream is not only coming from the figure – but that the whole landscape itself seems to be screaming.
Not a single event stands at the beginning of this work, but rather a series of experiences that condensed over years. In the early 1890s, Edvard Munch worked on his cycle "The Frieze of Life," in which he explored central themes such as anxiety, love, illness, and death. "The Scream" emerged in this context—not as an isolated painting, but as part of a larger engagement with the human condition. Munch was profoundly shaped by personal losses; illness and early deaths within his family left traces that run through his entire oeuvre. At the same time, he lived in a period of upheaval: traditional order began to crumble, and new scientific and philosophical approaches altered the understanding of psyche and perception. Particularly in the intellectual circles of Kristiania (now Oslo) and later Berlin, Munch moved in an environment that intensely grappled with existence, anxiety, and individual experience. "The Scream" addresses precisely these themes, though not in the form of a narrated story, but as a condensed expression of an inner state. Stylistically, the work marks a decisive step away from naturalism towards an art that centers subjective perception. Color, line, and form no longer serve to describe the external world but are deliberately used to make sensations visible. Thus, Munch became a central figure in the development of Expressionism, which a few years later would become one of the most influential movements of Modernism. "The Scream" therefore represents not only an individual experience but a fundamental shift in art: away from depiction, towards the representation of inner reality.
Signature
Alu Dibond 3 mm · Fine Art Paper · Acrylic Glass (glossy) 2 mm
Edvard Munch
91 x 73.5 cm
This item is made to order for you and carefully packaged. Production & Shipping Production begins after the order is received. The production time is typically 3–5 working days. Subsequent shipping within Germany usually takes 2-4 working days. Total delivery time Approximately 5–9 working days from order placement. Shipping method Shipping is protected and flat or rolled (depending on the format) to ensure the quality of the print. Notes on the presentation Slight color variations between screen display and printed work are technically possible and do not constitute a defect. Edition & Production This artwork is produced as a fine art print with meticulous reproduction. Frame and mat are not included unless otherwise specified.
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