Museum Quality · Made in Germany · Curated by FÈRUD · 10% for selected organizations
Gefertigt in Deutschland
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- ✓ Jedes Werk mit personalisiertem Zertifikat
- ✓ Versand in 5–9 Werktagen
- ✓ Individuelle Fertigung
The room is almost empty – and that is precisely what is crucial. Jacques-Louis David painted "The Death of Marat" in 1793 not as a historical scene in the classical sense, but as a deliberately reduced depiction in which every detail serves a function. The painting was created immediately after the assassination of Jean-Paul Marat, a central figure of the French Revolution, with whom David had a personal connection. This proximity shapes the work. It is not about distance or documentation, but about a deliberate form of representation. Marat lies in his bathtub, his body slightly tilted, his head slumped to the side. The pose appears calm, almost orderly, as if the moment had already settled. The wound is present, but it does not dominate the foreground. Instead, the eye is drawn to the few objects: the plank as a writing surface, the pen, the letter in his hand. This letter is not a random detail – it directly points to the perpetrator and makes the political context visible without explicitly stating it. David consciously draws upon pictorial traditions known from religious depictions. The posture of the body, the light, the clarity of the composition recall representations of the dead Christ. Marat is thus not just shown, but elevated. A specific act becomes an image that transcends the moment. Stylistically, the work belongs to Classicism, characterized by clear forms, reduced means, and an orientation towards ancient models. But here, this clarity is politically charged. The painting serves not only as a remembrance but also as a means of shaping a collective understanding. "The Death of Marat" shows how closely art and history were intertwined during this period. It is not a neutral image, but a deliberate statement – a depiction that determines how this moment should be seen.
Aluminum Dibond 3 mm · Fine Art Paper · Acrylic Glass (glossy) 2 mm · Slimline Frame (black)
Jacques-Louis David
165 x 128 cm
Every piece is created at the moment the decision is made. It is individually produced for you after receipt of order – in cooperation with specialized printing partners in Germany. Production usually takes 3-5 working days, followed by shipping within Germany, which typically takes 2-4 working days. Total delivery time: approx. 5-9 working days. Shipping is protected and flat-packed – tailored to the material and format to permanently guarantee the quality of the artwork. Slight variations in color reproduction between screen and print are technically unavoidable and part of the printing process. As each piece is custom-made, exchanges are not possible. Should a piece arrive damaged or show production defects, we will of course find a solution.
Editions & Materials
Each edition differs in its lamination, framing, and effect on the room. Here you can find out which version suits your needs.
Ready for your space
Each piece is prepared so that it can be placed immediately. Carefully crafted, thoughtfully assembled – ready to be a part of your space.
Carefully protected
Your artwork will be individually packaged and shipped insured. This ensures that every piece arrives safely and undamaged.
Art continues to have an impact
With every purchase, you support independent artists and selected organizations worldwide. A portion of the proceeds deliberately goes to projects committed to nature, society, and the future.
Replacement in case of transport damage
Should your artwork be damaged in transit or have a production defect, we will immediately arrange a replacement. This ensures your artwork reaches you as intended.
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