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Main image La Mort de Marat
The Death of Marat The Death of Marat
$289
Jacques-Louis David
i
Erfahre mehr zum Künstler und seinen Werken
Museumsqualität
Gefertigt in Deutschland
$28.90 € FÜR DIE NATUR. BEI JEDEM KAUF.

And with its last second, history changes

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The room is still – almost empty. In a simple bathtub lies the body of Jean-Paul Marat. His head is gently tilted to the side, eyes closed, his arm hanging heavily. In his hand, he still holds a piece of paper with a message written on it. Beside him lies the knife with which he was murdered shortly before. The scene appears surprisingly calm. No dramatic movement, no chaos, no struggle. The moment does not show the attack itself, but the stillness afterward. Marat's body is draped in a white cloth. The water in the bathtub remains invisible, but his posture shows that he was sitting in the bath while working – a consequence of his severe skin condition, which forced him to spend long periods in the water. The background is completely dark. No room, no architecture. This emptiness draws the gaze entirely to the body and the few objects: the knife, the quill, the paper. A simple wooden crate serves as Marat's writing desk. On it is David's dedication: "À Marat, David" – a silent homage from the artist. The light falls softly on the body. The skin appears smooth, almost idealized. Despite his violent death, Marat seems peaceful – almost like a religious figure. The longer one looks, the more the composition recalls depictions of the dead Christ. David transforms a political event into an almost sacred scene.

The room is almost empty – and that is precisely what is crucial. Jacques-Louis David painted "The Death of Marat" in 1793 not as a historical scene in the classical sense, but as a deliberately reduced depiction in which every detail serves a function. The painting was created immediately after the assassination of Jean-Paul Marat, a central figure of the French Revolution, with whom David had a personal connection. This proximity shapes the work. It is not about distance or documentation, but about a deliberate form of representation. Marat lies in his bathtub, his body slightly tilted, his head slumped to the side. The pose appears calm, almost orderly, as if the moment had already settled. The wound is present, but it does not dominate the foreground. Instead, the eye is drawn to the few objects: the plank as a writing surface, the pen, the letter in his hand. This letter is not a random detail – it directly points to the perpetrator and makes the political context visible without explicitly stating it. David consciously draws upon pictorial traditions known from religious depictions. The posture of the body, the light, the clarity of the composition recall representations of the dead Christ. Marat is thus not just shown, but elevated. A specific act becomes an image that transcends the moment. Stylistically, the work belongs to Classicism, characterized by clear forms, reduced means, and an orientation towards ancient models. But here, this clarity is politically charged. The painting serves not only as a remembrance but also as a means of shaping a collective understanding. "The Death of Marat" shows how closely art and history were intertwined during this period. It is not a neutral image, but a deliberate statement – a depiction that determines how this moment should be seen.

Signature

Aluminum Dibond 3 mm · Fine Art Paper · Acrylic Glass (glossy) 2 mm · Slimline Frame (black)

Jacques-Louis David

165 x 128 cm

Every piece is created at the moment the decision is made. It is individually produced for you after receipt of order – in cooperation with specialized printing partners in Germany. Production usually takes 3-5 working days, followed by shipping within Germany, which typically takes 2-4 working days. Total delivery time: approx. 5-9 working days. Shipping is protected and flat-packed – tailored to the material and format to permanently guarantee the quality of the artwork. Slight variations in color reproduction between screen and print are technically unavoidable and part of the printing process. As each piece is custom-made, exchanges are not possible. Should a piece arrive damaged or show production defects, we will of course find a solution.

Museum Quality · Made in Germany · Curated by FÈRUD · 10% for selected organizations

Editions & Materials

Each edition differs in its lamination, framing, and effect on the room. Here you can find out which version suits your needs.

Studio
Studio

Studio

The first expression

Loft
Loft

Loft

When Rooms Start Talking

Fine Art
Fine Art

Fine Art

Museum-quality paper

Signature
Signature

Signature

Acrylic. Depth. Handwriting

Ready for your space

Each piece is prepared so that it can be placed immediately. Carefully crafted, thoughtfully assembled – ready to be a part of your space.

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Your artwork will be individually packaged and shipped insured. This ensures that every piece arrives safely and undamaged.

Art continues to have an impact

With every purchase, you support independent artists and selected organizations worldwide. A portion of the proceeds deliberately goes to projects committed to nature, society, and the future.

Replacement in case of transport damage

Should your artwork be damaged in transit or have a production defect, we will immediately arrange a replacement. This ensures your artwork reaches you as intended.

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